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Né en 1969, à Ulverston (Grande Bretagne).
Vit et travaille à Londres (Grande Bretagne).



EXPOSITIONS PERSONNELLES (sélection)


2008
Fractal dice, Pace Wildenstein Gallery, New York, USA*
Nature Paintings, Tullie House, Carlisle, GB*
Random Nature, Project B, Milan, Italie

2007           
Studio Walls Drawings Restrospective, Haunch of Vension, Londres, GB
Large Filed Array, Pace Wildenstein Gallery, New York, USA
Large Filed Array, De Pont Museum of Contemporary Art, Tilburg, Pays-Bas*

2006
Keith Tyson, Louisiana Museum, Humbelaek, Danemark*
The Sum of All Possible Paths, Galerie GP & N Vallois, Paris, France*
Nature Paintings, Haunch of Venison, Zürich, Suisse

2005
Geno / Pheno, PaceWildenstein, New York, USA*
Keith Tyson, The Bates College Museum of Art, Lewiston, USA

2004
Geno / Pheno, Haunch of Venison, Londres, UK
History Paintings, Galerie Judlin, Zürich, Suisse*

2003
Collected Short Stories, Galerie Georges-Philippe & Nathalie Vallois, Paris, France
Works from a Teleological Accelerator, Arndt & Partner, Berlin, Allemagne

2002
Kunsthalle, Zürich, Suisse*
Supercollider, South London Gallery, Londres, UK*

2000
Studio Wall Drawings, Anthony Reynolds Gallery, Londres, UK
One of Each, Galerie Ursula Krinzinger, Vienne, Autriche*

1999
Keith Tyson, Delfina, Londres, UK*
Molecular Compound 4, Kleines Helmhaus, Zürich, Suisse*

1997
Keith Tyson, Anthony Reynolds Gallery, Londres, UK
Keith Tyson, Galerie Georges-Philippe & Nathalie Vallois, Paris, France

1996
Keith Tyson, David Zwirner Gallery, New York, USA
From the Artmachine, Anthony Reynolds Gallery, Londres, UK



EXPOSITIONS COLLECTIVES (sélection)

2008
Estrados, commissaire: Nicolas Bourriaud, PAC Murcia; Murcia, Espagne

2006
Thank You For the Music (London Beat), commissaire: Johannes Fricke Waldthausen, Sprüth Magers Lee, Londres, UK

2005
Dyonisiac, commissaire : Christine Macel, Centre Georges Pompidou, Paris, France.*
Logical Conclusions (40 years of Rule-Based Art), Pace Wilenstein, New York, USA *

2004
De leur temps, collections privées françaises, ADIAF, Musée des Beaux-Arts, Tourcoing, France*
Y a-t-il un commissaire pour sauver l'exposition?, Galerie GP & N Vallois, Paris, France
Another Zero, Galleria d’Arte Moderna e Contemporanea, Bergame, Italie

2003
Outlook, Athènes, Grèce*
Independence, South London Gallery, Londres, UK
Home, Galerie Georges-Philippe & Nathalie Vallois, Paris, France
Thatcher, the Blue Gallery, Londres, UK
Micro/ Macro : British Art 1996-2002, Mucsarnok Kunsthalle, Budapest, Hongrie*
Talking Pieces, Museum Morsbroich, Leverkusen, Allemagne*
The Lost Collection of an Invisible Man, Laing Art Gallery, Newcastle, UK*

2002
Turner Prize Exhibition, Tate Britain, Londres, UK*
Comer o No Comer, Centro de Arte de Salamanca, Salamanque, Espagne*
Strike, Wolverhampton Art Gallery, Wolverhampton, UK
Public Affairs, Kunsthaus, Zürich, Suisse*
Reality Check, Wharf Road, Londres, UK* et Moderna Galerija, Llubjana; House of Artists, Zagreb; Gallery Rudolfinum, Prague; Bunkier Gallery, Cracovie; Mucsarnok Kunsthalle, Budapest
Con Art : Magic/ Object/ Action, Site Gallery, Sheffield, UK*
25 São Paulo Biennial, Sao Paulo, Brésil*
Flights of Reality, Kettle’s Yard, Cambridge and Turnpike Gallery, Manchester, UK*

2001
Brave New World, Galeria OMR, Mexico, Mexique*
L’ effet Larsen – associative networks, OK Centrum fur Gegenwartskunst, Linz, Autriche et Casino - Forum d’Art Contemporain, Luxembourg, Luxembourg*
Open Plan P3 – The Marathon, Alphadelta Gallery – Artio Gallery, Athènes, Grèce*
Nothing, Northern Gallery for Contemporary Art, Sunderland en tournée au Contemporary Art Centre, Vilnius; Rooseum Malmo and Mead Gallery Warwick, Suède
The Fantastic Recurrence of Certain Situations : Recent British Art and Photography,
Sala de exposiciones del Canal de Isabel II, Madrid, Espagne*
Berlin Biennale, Berlin, Allemagne*
Pavillon anglais,49 Biennale de Venezia, Venise, Italie*
Century City : Art and Culture in the Modern Metropolis, Tate Modern, Londres, UK*

2000
The British Art Show, Edinburgh, Southampton, Birmingham, Cardif, UK*
Domestic Pairs Projects, Kunsthaus, Glarus, Suisse
Over the Edges, SMAK-Stedelijk Museum voor Actuele Kunst, Ghent, Belgique*
Dream Machines, Hayward Gallery, Londres, UK*; Dundee Contemporary Arts, Dundee, UK

1998
Seeing Time: selection from the Pamela and Richard Kramlich Collection of Media Art, San Francisco Museum of Modern Art, San Francisco (CA), USA*
Nerve, Nash Room, ICA, Londres, UK
Il Luogo degli angeli, San Michele and Museo Laboratorio, San Angelo en tournée à Lucca, Italie*
Show me the money, 8 Dukes Mews, Londres, UK
What’s in a name?, Anthony Reynolds Gallery, Londres, UK

1997
Private Face-Urban Space, Gasworks, Athènes, Grèce; L. Kanakakis Municipal Gallery of Rethymnon, Crète*
Low Maintenance and High Precision, Hales and 172 Deptford High Street, Lewisham, UK et Fondazione Sandretto Re Rebadengo per l’Arte, Turin, Italie *

1996
Art and Innovation Shortlist Exhibition, ICA, Londres, UK
Superstore Deluxe, UP & Co., New York, USA
Madame ma conscience, Friche Belle de Mai, Marseille, France
On a Clear Day…, Cambridge Dark Room, First Site, Colchester, UK;
Focal Point, John Hansard, Southend, UK; Gallery, I.C.A, Middlesborough Art Gallery, UK (cat.)
Replicators, http://adaweb.com
Madame ma conscience, Galerie Georges-Philippe & Nathalie Vallois, Paris, France
In Passing, The Tannery, Londres, UK
Disneyland After Dark, Kunstamt Kreucberg, Bethanien, Allemagne
White Hysteria, Contemporary Art Centre of South Australia, Australie
Surfing Systems, Kasseler Kunstverein, Kassel and tour, Allemagne (cat.)
Pandemonium, ICA, Londres, UK

1995
Night and Day, Anthony Reynolds Gallery, Londres, UK
Disneyland after Dark, Uppsala Konstmuseum, Uppsala, Suède*
Institute of Cultural Anxiety, ICA, Londres, UK

1994
Spit in the Ocean, Anthony Reynolds Gallery, Londres, UK
The Observatory, Anthony Reynolds Gallery, Londres, UK
The Space Between, Gallery Fortlaan 17, Ghent, Belgique

1990
Passive Voyeurs, Stanwicks Theatre Complex, Carlisle, UK* catalogue disponible

PRIX

2005 : Docteur es Lettres Honorifique, University of Brighton, Brighton
2002 : Turner Prize
1996 : ICA Arts and Innovation Award 1996


ECRITS

1995 “Around the Compendium in 54 Aphorisms, (contenant Jokers)” in Mute, n°1, Printemps.
1994 “Streamer” in Mute, Pilot Edition, Hiver.
1993 “Streamer”, séquences de textes et illustrations à travers expositions, internet, magazines, etc...


PUBLICATIONS

Patsy Craig, Mike Smith’s Studio, 2004
Virginia Button, The Turner Prize: Twenty Years, Tate Publishing, 2003
Cream 3, Phaidon, 2003
David Green, The Makeshift Catalogue, University of Brighton, 2001
Matthew Collings, Art Crazy Nation: The Post Blimey Art World, 21 Publishing Ltd, 2001
Louisa Buck, Moving Targets 2, A User’s Guide To British Art Now, Tate Publishing, Londres, 2000


CATALOGUES

2007
Keith Tyson: Nature Paintings, Haunch of Vension, Londres et Zurich

2006
The Sum of All Possible Paths, catalogue d'exposition, Galerie GP & N Vallois

2005
Keith Tyson Geno Pheno, catalogue d'exposition, PaceWildenstein / Haunch of Venison, Londres

2004
History Paintings, catalogue d'exposition, Haunch of Venison, Zürich (3 versions)

2002
Keith Tyson, Kunsthalle Zürich, Zürich
Keith Tyson, Head to Hand, publ. Thea Westreich, Ethan Wagner, New York
Keith Tyson, Supercollider, South London Gallery, Londres

2000
Keith Tyson, One of Each, Galerie Ursula Krinzinger, Vienne
Keith Tyson, Spellbook (Spells 1976-2000), for the British Art Show 5, Edinburgh

1999
Keith Tyson, Molecular Compound No 4, Edition Fink, Zürich
Keith Tyson, Delfina, Londres



CATALOGUES D'EXPOSITIONS COLLECTIVES


2007
Collection art contemporain, cat. Musée national d'art moderne, Ed. Centre Pompidou, Paris, p. 465 (ill.)

2005
Logical Conclusions: 40 Years of Rule-Based Art, PaceWildenstein, New York, USA
Dionysiac, Centre Georges Pompidou, Paris, France

2004
Another Zero, Galleria d’Arte Moderna e Contemporanea, Bergame, Italie

2003
Outlook, Athènes, Grèce
Micro/Macro: British Art 1996-2002, Mucsarnok Kunsthalle, Budapest, Hongrie
Talking Pieces, Museum Morsbroich, Leverkusen, Allemagne

2002
Turner Prize Exhibition, Tate Britain, Londres, UK
Comer o No Comer, Centro de Arte de Salamanca, Salamanque, Espagne
Public Affairs, Kunsthaus Zürich, Suisse
Reality Check, Wharf Road, Londres, UK
Con Art: Magic/Object Action, Site Gallery, Sheffield, UK
25 São Paulo Biennial, São Paulo, Brésil
Flights of Reality, Kettle’s Yard, Cambridge et Turnpike Gallery, Manchester, UK

2001
Brave New World, Galeria OMR, Mexico, Mexique
L’effet Larsen – associative networks, OK Centrum für Gegenwartskunst, Linz, Autriche
Casino-Forum d’ Art Contemporain, Luxembourg, Luxembourg
Open Plan P3 – The Marathon, Alphadelta Gallery – Artio Gallery, Athènes, Grèce
Nothing, Northern Gallery for Contemporary Art, Sunderland, UK
The Fantastic Recurrence of Certain Situations: Recent British Art and Photography, Sala de exposiciones del Canal de Isabel II, Madrid, Espagne
Berlin Biennale, Berlin, Allemagne
49 Biennale de Venezia, Venise, Italie
makeshift, University of Brighton Gallery, Brighton, UK

2000
Century City: Art and Culture in the Modern Metropolis, Tate Modern, Londres, UK
Over the Edges, SMAK-Stedelijk Museum voor Actuele Kunst, Gand, Belgique
Dream Machines, Hayward Gallery, Londres, UK

1998
Seeing Time: selection from the Pamela and Richard Kramlich Collection of Media Art, San Francisco Museum of Modern Art, San Francisco, USA
Il Luogo degli angeli, San Michele and Museo Laboratorio, San Angelo, Italie

1997
Private Face-Urban Space, Gasworks, Athènes, Grèce
Guarene Arte 97, Fondazione Sandretto Re Rebaudengo per l’Arte, Turin, Italie

1996
Surfing Systems, Kasseler Kunstverein, Kassel, Allemagne
Disneyland after Dark, Uppsala Konstmuseum, Uppsala, Suède


ARTICLES DE PRESSE

2006
Frédéric Bonnet, Le Journal des Arts, "Tour des galeries. Multidirection", n°241, 7 juillet - 7 septembre, p. 29
Jean-Max Colard, Les Inrockuptibles, "Keith Tyson", n°556, 25-31 juillet, p.77
Marguerite Pilven, www.paris-art.com, "Keith Tyson", 28 juin
Harry Bellet, Le Monde, "Les chemins complexes de Keith Tyson", 24 juin

2005
Rachel Withers, Keith Tyson, Artforum, mars
Fisun Guner, Keith Tyson: Geno/Pheno Paintings, Modern Painters, février
Martin Herbert, "Big Bang, Keith Tyson on cause and effect", Modern Painters, octobre, pp.74-79
Fabian Stech, Kunstforum, "Sex and drugs and rock’n roll", juin-août
Martin Herbert, Art Monthly, "Exhibition: Dionysiac", 1er mai, pp. 24-26
Reset, "Dionysiac", 13 avril, p. 650
Flavia Fossa Marguti, Glamour.com, "dov'è finita l'emozione", avril (ill.)
Thomas Schlesser, Art 21, "Dionysiac", n°2, mars - avril 2005
Claire Szulc, Art 21, "Extraits d'une société confidentielle", mars - avril, p. 58
Robert Guinot, La Montagne, "Dionysiac à Beaubourg", 13 mars
Muriel Denet, www. paris-art.com, "Dionysiac", 4 mars
Anne Bonnin, 02, "Dionysiac", n°33, printemps
Judith Benhamou-Huet, Les Echos, "Les Picasso d’aujourd’hui", 18 février
Harry Bellet et Benjamin Roure, Le Monde, "Les Vedettes de l'art trash au Centre Pompidou", 18 février
Geneviève Breerette, Le Monde, "Des figures de l'excès...", 18 février
Philippe Piguet, L’œil, " Dionysac, dans le flux de la vie ", 1er février, p. 21
Nicolas Thély, En ville, "Dream Team Déchaînée", n°4, février
Chinanetworks.com, “Centre Pompidou presents Dionysiac”

2004
De leur temps, collections privées françaises, ADIAF, Musée des Beaux-Arts, Tourcoing, pp. 310-311
Marcus Verhagen, Art Monthly, "Keith Tyson", décembre 2004 - janvier 2005
Peter Chapman, The Independent, "Keith Tyson: Geno/Pheno Paintings", 27 novembre
Nick Hackworth, Evening Standard,"Double-take on creativity", , 16 novembre
Serena Davies, Daily Telegraph, "Empty games with genetics", 11 novembre
John Russell Taylor, The Times, "Read all about it", 10 novembre
Tom Lubbock, The Independent, "It’s a game of two halves", 9 novembre
Charles Darwent, The Independent, "X Plus Y equals how to state the blinkin' obvious", 7 novembre
Fisun Guner, Métro, "There’s method in the madness", 4 novembre
Adrian Searle, The Guardian, "Keith Tyson takes his chances", 3 novembre
Nick Hackworth, Dazed and Confused, "A man apart: Keith Tyson", novembre
Paul Farley, Art Review, "Endings and beginnings", novembre
Louisa Buck, RA Magazine, "New masters", Hiver 
Harry Bellet, Le Monde, "L’art fait recette à la foire Frieze de Londres", 18 octobre
Times Online, "Art Riddle Competition", 18 octobre
Jack Malvern, The Times, "A Work of Art it’s OK to be Puzzled by", 16 octobre
Peter Aspden, Financial Times,  "Heady Times for the Biggest Company Art Fair", 15 octobre
Nick Hackworth, Evening Standard, "The Fun of the Art Fair", 15 octobre
Charlotte Higgins, The Guardian, "Frieze in the Frame, Art Scene Booming as Show Draws 150
Exhibitors from Around World", 15 octobre
Michael Archer, Parkett, "Primordial Soups", n° 71
Ethan Wagner and Keith Tyson, Parkett, "A Conversation", n° 71
Hans Rudolph Reust, Parkett, "Fabulous Art", n° 71
Niru Ratnam, Tank, "Iron Keith", Volume 3, Issue 11, octobre

2003
Tony Barrell, Sunday Times Magazine, "Rising to the Equation", 30 novembre
Michael Bond, New Scientist, "Interview", 20 septembre
Michael Binyon, The Times, "Deface of the nation", 18 avril
Eric Mangion, Art Press, "Keith Tyson, Collected Short Stories", n°295, novembre (ill.)
Simon Letellier, Mixte, "Maths Modernes", septembre (ill.)
Michael Binyon, The Times, "Deface of the Nation", 18 avril
The Guardian, "Fat and capital as dynamic systems", 9 janvier (ill.)
The Guardian 2, cover, 9 janvier

2002
Jorg Heiser, Suddeutsche Zeitung, "Der Denker", 10 décembre
G. T., Frankfurter Allgemeine Zeitung, "Humor, logisch", 10 décembre
Matthias Thibaut, Der Tagesspiegel, "Beim barte des propheten", 10 décembre
Barbara Schurenberg, Die Welt, "Die molekule triumphieren über den bullshit", 10 décembre (ill.)
Rachel Campbell-Johnston, The Times, "The shock of the now", 10 décembre (ill.)
Andrew Renton, Evening Standard, "Turner Prize attention is focused on Keith Tyson’s…", 10 décembre
Adrian Searle, The Guardian, "Accessible yet incomprehensible", 9 décembre (ill.)
Fiachra Gibbons, The Guardian, "The wacky boffin of art takes Turner Prize with dotty diagrams”, 9 décembre (ill.)
Rachel Campbell-Johnston, The Times, "Artist plugs enthusiasm into decade of irony", 9 décembre (ill.)
David Lister, The Independent, "After all the controversy, Turner Prize goes to artistic thinker", 9 décembre (ill.)
Daily Express, "Painter wins top art prize", 9 décembre                       
Luke Leith, Evening Standard, "Turner winner attacks minister", 9 décembre
Metro, "Humming obelisk wins Turner Prize", 9 décembre
James Orr et Charlotte Gill, The Daily Mail, "The very best of British art : a big black box that hums", 9 décembre (ill.)
Nigel Reynolds, The Daily Telegraph, "A custard pie for Serota as Turner Prize winner named", 9 décembre (ill.)
BBC News, "Keith Tyson wins Turner", 9 décembre
Financial Times, " 'Science' painter wins Turner Prize", 9 décembre
Kate Bush, Artforum, “Best of 2002”, décembre
John Walsh, The Independent Magazine, "Renaissance Men", 30 novembre (ill.)
Kultureflash, "Artworker of the week", n° 24, 19 novembre (ill.)
Sarah Kent, Time Out, "A good Turner", 6 - 13 novembre (ill.)
Amber Cowan, The Times, "Amber Cowan’s choice", 2 - 8 novembre (ill.)
John Mc Ewen, The Sunday Telegraph, "More than meets the eye", 3 novembre (ill.)
Laura Cumming, The Observer Review, "Don’t shoot the medium", 3 novembre (ill.)
Matthias Thibaut, Der Tagesspiegel, "Freier Flug ins Nichts", 31 octobre
Rachel Campbell-Johnston, The Times, "No painting and no genius for £20 000", 31 octobre
Dalya Alberge, The Times, "Turner jury sees art in the most ordinary places", 31 octobre (ill.)
Nigel Reynolds, The Daily Telegraph, "Fog, chicken and porn : it’s Turner prize time again", 31 octobre (ill.)
Kevin O’ Sullivan, Daily Mirror, "Head-Turner", 30 octobre (ill.)
Louise Jury, The Independent, "Turner Prize show off the art of controversy (again)", 30 octobre (ill.)
Nigel Reynolds, The Daily Telegraph, "Turner Prize exhibition makes art a dirty word", 30 octobre (ill.)
Adrian Searle, The Guardian, "Badly drawn words", 30 octobre
Fiachra Gibbons, The Guardian, "Air sickness overtakes porn in Turner stakes", 30 octobre (ill.)
Rachel Campbell-Johnston, The Times, "The People’s Prize", 30 octobre
Dalya Alberge, The Times, "Behold the front page : Times is Turner favorite", 30 octobre (ill.)
Adrian Searle, The Guardian, "New blood from a wary generation", 30 octobre
Emily Bearn, The Sunday Telegraph Magazine, "An accident waiting to happen", 20 octobre (ill.)
Angelique Chirsafis, The Guardian, "No painters among Turner Prize nominees", 31 mai (ill.)
Anthony Thorncroft, Financial Times, "Year of the thirtysomethings", 31 mai
Georgina Littlejohn, Metro, "Can you guess what it is yet? It’s Turner time", 31 mai (ill.)
Michael Glover, The Independent, "The message from the shortlist : painting is dead, but invention is alive", 31 mai
David Lister, The Independent, "Chicken cast in lead, photographs of toilets and pornography. Yes, it’s Turner Prize time again…", 31 mai (ill.)
Brian Sewell, Evening Standard, "Brian Sewell is impressed", 30 mai (ill.)
Martin Delgado, Evening Standard, "Kentucky Fried Turner", 30 mai (ill.)
Barbara Basting, Tages Anzeiger, "Eine Poetik des Zufalls", 24 avril (ill.)
Philipp Meier, Neue Zürcher Zeitung, "Von der Prähistorie zur Apokalypse", 22 avril (ill.)
Der Zürcher Oberlander, "Breites Spektrum dreier Gestaltender", 20 avril (ill.)
Isolde Schaffter – Wieland, Schweizer illustrierte, "Kunst als Denkschau", 15 avril (ill.)
Gavin Wade, Tank, "Genome phenome expander – Keith Tyson", (ill.)
Flash Art, "The Larsen Effect", mars - avril
Mark Beasley, Art Monthly, "Keith Tyson", n° 254, mars
Alex Farquharson, Frieze, "Keith Tyson, South London Gallery", n°66, mars
Michael Archer, Artforum, "Keith Tyson", mars                                   
Stephanie Douet, a-n magazine, "Flights of Reality", mars (ill.)
Rachel Withers, Artforum online, "Critic Picks", février - mars (ill.)
Cristina Ruiz, The Art Newspaper, "Keith Tyson – Supercollider", février (ill.)
Sue Hubbard, Contemporary, février (ill.)
Rachel Campbell Johnston, The Times, "Five best London shows", 2 - 8 février (ill.)
Richard Cork, The Times, "Five best London shows", 26 janvier - 1 février (ill.)
Mark Wilsher, What’s On in London, "Appliance of Science", 9 janvier
Helen Sumpter, Evening Standard, "Hot Tickets", 11 janvier
Jessica Lack, The Guardian, "The Guide", 12 janvier
Helen Sumpter, The Big Issue, "The Alchemist", 14 - 20 janvier
Martin Gayford, The Daily Telegraph, "Where the banal and the bizarre collide", 16 janvier
Marcus Field, The Independent on Sunday, "Get your theorems out for the lads", 20 janvier
The Guardian, "Picks of the week", 28 janvier (ill.)
Charles Darwent, Metro Life, "Brush with the universe", 23 janvier (ill.)
Waldemar Januszczek, The Sunday Times, "Art", 20 janvier
Nick Hackworth, Evening Standard, "Journey into space", 17 janvier (ill.)