Richard Jackson
Born in 1939 in Sacramento (California, USA)
Lives and works in Los Angeles (California, USA)
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Solo exhibitions
2014
Ain't Painting a Pain, curator: Dennis Szakacs, SMAK, Ghent, Belgium *
2013
Richard Jackson, Galerie GP & N Vallois, Paris, France
Ain't Painting a Pain, curator: Dennis Szakacs, Villa Stuck, Munich, Germany *
2012
Ain’t Painting a Pain, curator: Dennis Szakacs, Orange County Museum of Art, Newport Beach, USA *
Accidents in Abstract Painting, Armory Center for the Arts, Pasadena, USA
Blue Prints, Galerie Parisa Kind, Frankfurt, Germany
2011
The Little Girl's Room, David Kordansky Gallery, Los Angeles, USA
2010
Richard Jackson: Collected Works, Rennie Collection, Vancouver, Canada
Richard Jackson, Kunststiftung Erich Hauser, Rottweil, Germany
Red Room/Green Room, Armory Center for the Arts, Pasadena, USA
2009
The Laundry Room, Galerie Hauser & Wirth, Zürich, Switzerland
2007
The Maid's Room / The Dining Room, Galerie GP & N Vallois, Paris, France*
The War Room, Galerie Yvon Lambert, New York, USA*
2006
Richard Jackson: Werke aus der Friedrich Christian Flick Collection, Hamburger Bahnhof, Berlin, Germany*
2005
Beer, Deer, Bear, Galerie Parisa Kind, Frankfurt, Germany
The Pink Empire, Galerie Hauser & Wirth, London, UK
2004
Unusual Behaviour, Galerie GP & N Vallois, Paris, France
Dick's Pictures, Haswellediger & Co Gallery, New York, USA*
The Three Bears, Foundation 20 21, New York, USA
2003
Accidents in Abstract Paintings, Galerie Hauser & Wirth, Zürich, Switzerland
2002
Galerie Senn, Vienna, Austria
Galerie GP & N Vallois, (Project Room), Paris, France
BAWAG Foundation, Vienna, Austria
1998
Deer Beer, Galerie Hauser & Wirth, Zürich, Switzerland
1997
Paint Ball, Galerie David Zwirner, New York, USA
1994
Wall Painting / Room Installation, Galerie zur Kastanienallee, Leuk-Stadt, Switzerland
1993
BIGOILIDEAS, Galerie Spielvogel, Münich, Germany
1992
Big Confusing Ideas, Santa Monica Museum of Art, Santa Monica, USA
1991
Confusing Ideas – Installation/Zeichnung, Galerie Brigitte March, Stuttgart, Germany
1990
Rosamund Felsen Gallery, Los Angeles, USA
1989
Installationen und Bilder, Galerie Tschudi, Glarus, Switzerland
1988
Richard Jackson Installation 1970-1988, The Menil Collection, Houston, USA
1987
Good Deal, Robert Else Gallery, California State University, Sacramento, USA
1986
Big Ordeals, Betsy Rosenfield Gallery, Chicago, USA
1985
Artpark, Lewiston, USA
1984
Big Ideals, Rosamund Felsen Gallery, Los Angeles, USA
Untitled Construction, Rosamund Felsen Gallery, Los Angeles, USA
1983
1000 Pictures, Daniel Weinberg Gallery, San Francisco, USA
1981
Betsy Rosenfield Gallery, Chicago, USA
Projekte, Galerie Maeght, Zürich, Switzerland
1980
Big Ideas, Galerie Maeght, Paris, France
Forum Kunst, Rottweil, Germany
Big Ideas (1000 Pictures), Rosamund Felsen Gallery, Los Angeles, USA
1979
Richard Jackson Installations, D.A.A.D. Galerie, Berlin, Germany
Richard Jackson Installations, Galerie Maeght, Zürich, Switzerland
1978
The Faith and Charity in Hope Gallery, Hope, USA
Rosamund Felsen Gallery, Los Angeles, USA
1977
Santa Ana College Art Gallery, Santa Ana, USA
Fine Arts Gallery, University of California, Irving, USA
1976
Riko Mizuno Gallery, Los Angeles, USA
University of California, Davis, USA
Daniel Weinberg Gallery, San Francisco, USA
1976-82
Bedroom, environnement crée au Pasadena Studio, Pasadena, USA
1975
Galleria Bocchi, Milan, Italy
1974
California State University, Sacramento, USA
Riko Mizuno Gallery, Los Angeles, USA
Bykert Gallery, New York, USA
Untitled, 1972, Los Angeles County Museum of Art, installation for the permanent collection , Los Angeles, USA
1973
Galerie Onnasch, Cologne, Germany
1970
Eugenia Butler Gallery, Los Angeles, USA
1969
Eugenia Butler Gallery, Los Angeles, USA
1968
Gallery 669, Los Angeles, USA
1961
E.B. Crocker Art Museum, Sacramento, USA
Group exhibitions
2012
Hotel California II, Mitterrand + Cramer, Geneva, Switzerland
2011
American Exuberance, Rubell Family Collection / Contemporary Arts Foundation, Miami, USA State of Mind: New California Art Circa 1970, OCMA Orange County Museum of Art, Newport, USA
Under the big black sun, California Art 1974 – 1981, MOCA, Los Angeles, USA
Artzuid 2011 – Internationale Sculptuurroute, Avenues of Berlage’s Plan-Zuid, Amsterdam,
Netherlands *
2010
Promenades, Le Magasin–cnac, Grenoble, France
The Artist’s Museum, MoCA Grand Avenue and The Geffen Contemporary at MoCA, Los Angeles USA
Der erste Impuls – Skizzen – Zeichnungen 1958 – 2010, Brigitte March, Stuttgart, Germany
Dans, Autour et à Travers, Galerie Davel 14, Cully, Switzerland
2009
Vraoum! Trésors de la bande dessinée et art contemporain, La Maison Rouge, Paris, France*
Quand la première ivresse des succès bruyants…, Château Guiraud, Sauternes, France*
Franz Ackermann, Richard Jackson, Otero Plassart, Los Angeles, USA
Under a Vanishing Night: New York From L.A.,Fourteen30 Contemporary, Portland, USA
Target Practice: Painting Under Attack 1949-1978, Seattle Art Museum, Seattle, USA*
2008
Trahison, capc – Musée d’Art Contemporain, Bordeaux, France
Ne pas jouer avec des choses mortes, curator: Eric Mangion, Marie de Brugerolles, Villa Arson, Nice, France*
Comme des bêtes. L’ours, le cochon, le chat et Cie., Musée Cantonal des Beaux-Arts, Lausanne, Switzerland*
Size Matter: XXL-Recent Large-Scale Paintings, Hudson Valley Center for Contemporary Art, Peekskill, USA
The Stranger, Yvon Lambert Gallery, New York, USA
Hotel California, Galerie Georges-Philippe & Nathalie Vallois, Paris, France
Cult of the artist: “I can’t just slice off an ear every day“. Deconstructiong the myth of the artist, Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany*
2007
Oeuvres Encombrantes, curator: Jean Max Colard, Galerie GP & N Vallois, Paris, France
Bodycheck, 10. Triennale Kleinplastik Fellbach, Fellbach, Germany
Début du siècle, curator: Olivier Michelon, Musée de Rochechouart, Rochechouart, France
Size Matters : XXL, Hudson Valley Center for Contemporary Art (HVCCA), Peekskill, New York, USA
2006
Metro Pictures, The Moore Space, Miami, USA*
Le noir est une couleur: Hommage vivant à Aimé Maeght, Fondation Maeght, Saint-Paul, France*
Accidents, Galerie GP & N Vallois, Paris, France
Los Angeles 1955-1985, curator: Catherine Grenier, Centre Georges Pompidou, Paris, France*
Ballerina in a Whirlpool, Kunsthalle Baden-Baden, Baden-Baden, Germany*
2005
Eté urbain, Galerie Gabriele Senn, Vienna, Austria
Dive, curator: Andrea Viliani, Galleria d'Arte Moderna, Bologne, Italy
Dionysiac, curator: Christine Macel, Centre Georges Pompidou, Paris, France*
Pratique de la catastrophe: Burlesques contemporains, curator: Christophe Kihm, Jeu de Paume, Paris, France
Californian artists in Greek Collections, curator: Max Henry, Art Athina, Athens, Greece
2004
Lost Property, Domaine Pommery, Reims, France
Y a-t-il un commissaire pour sauver l'exposition, Galerie GP & N Vallois, Paris, France
2003
Home, Galerie GP & N Vallois, Paris, France
Fuori Uso, Ferrotel [Castello di Rivoli], Pescara, Italy
2002
Plus Ultra, Kunstraum Innsbruck, Innsbruck, Austria
What About Hegel (And You)?, Galerie Brigitte March, Stuttgart, Germany
Iconoclash – Beyond the Image Wars, ZKM, Karlsruhe, Germany
House of Fiction. Sammlung (3), Sammlung Hauser & Wirth, St. Gall, Switzerland
Ten Years Galerie Hauser & Wirth, Galerie Hauser & Wirth, Zürich, Switzerland
2001
Making the Making, curator: Charles Goldman, Apex Art Curatorial Program, New York, USA
2000
L.A.- ex, Museum Villa Stuck and Marstall, Münich, Germany
Los Angeles County Museum of Art, Los Angeles, USA
1999
dAPERTutto, XLVIII Esposizione Internazionale d’Arte, Biennale de Venise, curator: Harald Szeemann, Venice, Italy*
Radical Past : Contemporary Art & Music in Pasadena, 1960 – 1974, Armory Center for the
Arts and Art Center College of Design, Pasadena, USA
1998
Kunstausstellung Holderbank, Holderbank AG, Holderbank, Switzerland
Abstract Paintings. Once Removed, Contemporary Arts Museum, Houston, USA
1997
L’Autre, 4ème Biennale d’Art Contemporain, curator: Harald Szeeman, Lyon, France
1995
International Sculptors Symposium, Uludag University, Uludag, Turkey
1994
Virtual Reality, National Gallery of Australia, Canberra, Australia
1993
Bright Light, Schloss Presteneck, Stein am Kocher, Germany
1992
Helter Skelter : L.A. Art in the 1990s, The Museum of Contemporary Art, Los Angeles, USA
Force Sight, Schloss Presteneck, Stein am Kocher, Germany
1991
Quick Coagulation Forms the August Corpse, Rosamund Felsen Gallery, Los Angeles, USA
1990
Past & Present – Selected Works by Gallery Artists, Rosamund Felsen Gallery, Los Angeles, USA
California A to Z and Return, The Butler Institute of American Art, Youngstown, USA
1989
Solitude Echos: Realisierte Projekte der Ausstellung Schloss Solitude-Plane und Projekte, 1986, Kunstverein Ludwigsburg, Villa Franck, Ludwigsburg, Germany
1988
New Works on Paper, Rosamund Felsen Gallery, Los Angeles, USA
Betsy Rosenfield Gallery, Chicago, USA
Forty Years of Art, William H. Cook Gallery, California State University, Sacramento, Rancho Cordova, USA
One of a Kind, Contemporary Serial Imagery, Los Angeles Municipal Art Gallery, Los Angeles, USA
25 Jahre Berliner Künstlerprogramm des DAAD. Balkon mit Fächer, Berlin, Germany
1987
The Great Drawing Show 1587 – 1987, Michael Kohn Gallery, Los Angeles, USA
Betsy Rosenfield Gallery, Chicago, USA
1986
Schloss Solitude-Pläne und Projekte, Solitude Palace, Stuttgart, Germany
Betsy Rosenfield Gallery, Chicago, USA
Point of View: Artworks from the Collection of Jeffrey Kerns, University Art Gallery, California State University, San Bernardino, USA
1985
Fifty Years of American Drawings, 1930 – 1980, Ecole des Beaux-Arts, Paris, France
Städtische Galerie im Städelschen Kunstinstitut, organisé par The Menil Collection (Houston), Frankfurt, Germany
Buscaglia-Castellani Art Gallery, Niagara University, Niagara Falls, USA
*1985 *
Artpark Visual Arts Program, Artpark, Lewiston, USA
1984
Art as Healer, Weintraub Hunter Gallery, Sacramento, USA
1983
Summer Show, Rosamund Felsen Gallery, Los Angeles, USA
1982
Exchange entre Artistes 1931 – 1982 Poland – U.S.A, ARC, Musée d’Art Moderne de la Ville de Paris, Paris, France
Drawings by Painters, Long Beach Museum of Art, Long Beach, USA
1981
The Museum as Site : 16 Projects, The Big Idea 2 (3000 Pictures), Los Angeles County Museum of Art, Los Angeles, USA
California: A Sense of Individualism, L.A. Louver, Venice, USA
Abstraction in Los Angeles 1950-1980, Selections from the Murray and Ruth Gribin Collection, Fine Arts Gallery, California State University, Northridge, USA
Fine Arts Gallery, University of California, Irvine, USA
1979
Wall Painting, Museum of Contemporary Art, Chicago, USA
New York Now, Phoenix Art Museum, Phoenix, USA
1978
Art about Art, Whitney Museum of American Art, New York, USA
1977
Jack Barth, Richard van Buren, David Deutsch, Richard Jackson, James Reineking, Bell Gallery, List Art Building, Brown University, Providence, USA
Rooms, Institute for Art and Urban Resources, PS. 1, Long Island City, USA
1976
California State University, Sacramento, USA
DeAnza College, San Jose, USA
Painting and Sculpture in California, San Francisco Museum of Modern Art, San Francisco, USA
Painting and Sculpture in California, National Collection of Fine Arts, Washington DC, USA
1975
Fundamental Painting, Stedelijk Museum, Amsterdam, Netherlands
Both Kinds : Contemporary Art from Los Angeles, University Art Museum, University of California, Berkeley, USA
Current Concerns, Part I, Los Angeles Institute of Contemporary Art, Los Angeles, USA
1974
Margo Leavin Gallery, Los Angeles, USA
1972
Los Angeles ‘72, Sidney Janis Gallery, New York, USA
John Baldessari / Francis Barth / Richard Jackson / Barbara Munger / Gary Stephan, Contemporary Arts Museum, Houston, USA
15 Los Angeles Artists, Pasadena Art Museum, Pasadena, USA
1971
24 Young Los Angeles Artists, Los Angeles County Museum of Art, Los Angeles, USA
The 32nd Biennial Exhibition of Contemporary American Art, The Corcoran Gallery of Art, Washington DC, USA
1970
Photography Into Sculpture, The Museum of Modern Art, New York, USA
1969
Indiana University Art Museum, Bloomington, USA
Painting Invitational – Arts 1969 Festival, University of Nevada, Reno, USA
Konzeption/Conception, Städtisches Museum Schloss Morsbroich, Leverkusen, Germany
* catalog
Awards / grants
2010
Erich Hauser Preis
1998
Louis Comfort Tiffany Grant
1988
Pollock-Krasner Foundation Grant
1979
D.A.A.D. Grant, Berlin
BIBLIOGRAPHY
Catalogs
2011
Elisabeth Hamilton (ed.), Under the big black sun: California Art 1974-1981, exhibition catalogue, Munich: Prestel Verlag, p. 188, (ill.)
Erratic – Visual Impact in Current Design, Berlin/DE: Gestalten Verlag, p. 161, (ill.)
Jörn Merkert, Walter Hopps, Richard Jackson room-installations/Rolf Schroeter fotoimpressionen, Bern/CH: Benteli Verlags ag
“Richard Jackson, Dick’s Big Duck”, Artzuid, Internationale sculptuurroute, exhibition catalogue, Amsterdam, p. 132 – 133 (ill.)
2010
Andrew Berardini, Richard Jackson, Vancouver: Rennie Collection at Wing Sang, 2010,(ill.)
Erich Hauser, Richard Jackson. Big Pig, Rottweil: Kunststiftung Erich Hauser, 2010,(ill.)
2009
Ne pas jouer avec des choses mortes, exhibition catalog. Villa Arson, Nice, France, pp. 94-96 ; 144 ; 153 ; 207 (ill.)
Michelle Pirano, Target Practice: Painting Under Attack 1949-78, exhibition catalog. Seattle/WA: Seattle Art Museum, pp. 38-39, ill.
Vraoum! Trésors de la bande dessinée et art contemporain, exhibition catalog. La Maison Rouge, Fage Éditions, Paris, France (ill.)
Judicaël Lavrador, “La peinture et le dessin s’échappent du cadre”, in Qu’est-ce que l’art aujourd’hui, BeauxArts Magazine editions, pp. 21-28 (ill.)
2008
Judicaël Lavrador, “Richard jackson”, in Qu’est-ce que la peinture aujourd’hui, Beaux-Arts Magazine editions, pp. 108-111 (ill.)
Comme des bêtes, exhibition catalog., ed. Musée cantonal des Beaux-Arts, Lausanne, 5 Continents Editions, Milan
Staatliche Museen zu Berlin (ed.), ‘Ich kann mir nicht jeden Tag ein Ohr abschneiden. Dekonstruktionen des Künstlermythos’, exhibition catalog, Berlin/DE: Dumont, pp. 50-51, ill.
2007
Richard Jackson, Manual of Instructions for The Maid’s Room, Ed. Galerie G-P & N Vallois, Paris, France
Bodycheck, Linsenmaier-Wolf, Christa (ed.), Snoeck, Cologne pp. 134-139, ill.
Yann Chateigné, Cra Z Boy. Richard Jackson, Cahiers du Fond National d'Art Contemporain, n°8, Paris, p. 154 (ill.)
2006
Los Angeles 1955-1985, exhibition catalog, Musée national d’art moderne, Ed. Centre Pompidou, Paris, France (ill)
Richard Jackson, (textes) Angela Kotinkaduwa, Jennifer Liese, Samantha Tsao, Ed. Haswellediger & Co. New York, USA
Metro Pictures, exhibition catalog, Ed. The Moore Space / Museum of Contemporary Art (ill)
New Works 2006 – 2007, (text) Robert Hobbs, exhibition catalog. Yvon Lambert New York, USA
Richard Jackson Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof, exhibition catalog, Staatliche Museen zu Berlin, Nationalgalerie, Hamburger Bahnhof, Berlin, Germany
2005
Dionysiac,exhibition catalog, Musée national d’art moderne, Ed. Centre Pompidou, Paris, France
Art Athina, Californian artists in Greek Collections, (text) Max Henry, Ed. Maria Panayides, Athens, Greece
Plus ultra. Jenseits der Moderne? / Beyond Modernity?, (texts) Bidner, Stefan, Feuerstein, Thomas, Ed. Revolver, Frankfurt, Germany, ill.
2002
Richard Jackson. Bank Job, exhibition catalog, Ed. Bawag Foundation, Vienna, Austria
Iconoclash. Beyond the image wars in science, religion, and art, exhibition catalog,Ed. Cambridge, MA/London: The MIT Press, USA (ill.)
The House of Fiction. Sammlung Hauser und Wirth / 3, exhibition catalog, Ed. Verlag für moderne Kunst, Nuremberg, Germany (ill.)
2001
L.A.-ex Performances. Salons Kunst Wissenschaft/Salons Art Science, (text) Christa Häusler, exhibition catalog, Ed. Hatje Cantz, Germany (ill.)
Unusual Behaviour : The Art of Richard Jackson, exhibition catalog, (text) Elsa Longhauser, Ed. Santa Monica Museum of Modern Art, USA
1999
Radical Past: Contemporary Art & Music in Pasadena, 196– 974, exhibition catalog, Ed: Karen Jacobson, USA
dAPERTutto, XLVIII Esposizione Internazionale d’Arte, exhibition catalog,Venice Biennale pp.24-27 (ill)
1998
Richard Jackson. Deer Beer, exhibition catalog, Galerie Hauser & Wirth, Ed. Oktagon, Cologne, Germany
Abstract Paintings. Once Removed, exhibition catalog, Ed. Contemporary Arts Museum, Houston, Texas, USA
1997
Awards in Painting, Sculpture, Printmaking, Photography and Craft Media, New York: Ed. The Louis Comfort Tiffany Foundation, New York, USA
4e biennale d'art contemporain de Lyon: L'autre, exhibition catalog, (text) Harald Szeemann, Ed. Réunion des Musées Nationaux, Lyon, France
1994
Virtual Reality, exhibition catalog, National Gallery of Australia, Canberra, Australia
1993
Bright Light, exhibition catalog. (text) Manfred Schneckenburger, Ed. Brigitte March Stuttgart, Germany
1992
Helter Skelter. L.A. Art in the 1990's, exhibition catalog, (texts) Norman M. Klein, Lane Releya, The Museum of Contemporary Art, Los Angeles, USA
Force Sight, exhibition catalog, Ed. Brigitte March, Neuenstadt-Stein am Kocher, Internationale Kunst der Gegenwart Schloss Presteneck, Stuttgart,Germany
1990
California A-Z and Return, exhibition catalog,The Butler Institute of American Art, Ed. Youngstown/OH, USA
1989
One of a Kind : Contemporary Serial Imagery, exhibition catalog, Ed. Los Angeles Municipal Art Gallery,USA
1988
25 Jahre Berliner Künstlerprogram des DAAD, Balkon mit Fächer exhibition catalog, (text) Joachim Sartorius, René Block, Berlin : Berliner Künstlerprogram des DAAD, Berlin, Germany
One of a Kind : Contemporary Serial Imagery, exhibition catalog. (text) John Coplans, Ed. Los Angeles Municipal Art Gallery, USA
Richard Jackson, Entstehung eines Wandbildes, exhibition catalog, (texte) Rolf Schroeter, Ed. Rolf Schroeter, Zurich, Switzerland
1986
Pläne und Projekte, exhibition catalog, Schloss Solitude,Ed. Brigitte March, Stuttgart, Germany
Point of View. Artworks from the Collection of Jeffrey Kerns, exhibition catalog, Ed. University Art Gallery, California State University, San Bernardino, USA
1985
Cinquante ans de dessins américains 1930 – 1980 / Amerikanische Zeichnungen 1930 – 1980, exhibition catalog, Städtische Galerie im Städelschen Kunstinstitut, Frankfurt, Germany;Ecole nationale supérieure des Beaux-Arts, Paris, France, Ed. The Menil Collection, USA
1982
Drawings by Painters, exhibition catalog, (text) Richard Armstrong, Ed. Long Beach Museum of Art, Long Beach, USA
Echange entre Artistes 1931-1982. Pologne-USA, exhibition catalog, (text) Pontus Hulten, Ed. Musée d'Art Moderne de la Ville de Paris, France
1981
The Museum as Site: Sixteen Projects, exhibition catalog, (text) Stephanie Barron, Ed. Los Angeles County Museum of Art, Los Angeles, USA (ill.)
Art in Los Angeles – Seventeen Artists in the Sixties, exhibition catalog, Ed. Los Angeles County Museum of Art, Los Angeles, USA (ill.)
Abstraction in Los Angeles 1950-1980, Selections from the Murray and Ruth Gribin Collection, exhibition catalog, dans: Journal. Contemporary Art Magazine, n°30, ed. Los Angeles Institute of Contemporary Art, september – october (ill.)
1979
Wall Painting, exhibition catalog, (text) Judith Russi Kirschner Ed. Museum of Contemporary Art, Chicago, USA
Richard Jackson, exhibition catalog, (text) Thomas Deecke, Edward Kienholz, Galerie Maeght, Zurich, Switzerland
Richard Jackson. Installations, Berliner Künstlerprogramm des DAAD, Berlin, Germany New York Now, exhibition catalog. (text) Robert H. Frankel, Phoenix Art Museum, Arizona, USA
1978
Richard Jackson, exhibition catalog, (text) Edward Kienholz, The Faith and Charity in Hope Gallery, USA
Annual Report 1977-1978, ed. Buffalo Fine Arts Academy/Albright-Knox Art Gallery Buffalo, New York, USA
1977
Painting and Sculpture in California: The Modern Era, cat. exp., (text) Henry T. Hopkins, Walter Hopps Ed. San Francisco Museum of Modern Art, USA
Statements on Art, exhibition catalog, (texts) Donald Sultan, Nancy Davidson, Ed. N.A.M.E. Gallery, Chicago, USA
Jack Barth, Richard van Buren, David Deutsch, RICHARD JACKSON, James Reineking, exhibition catalog, Ed. Bell Gallery, List Art Building, Brown University, Providence, USA
1975
Fundamental Painting, exhibition catalog, Ed. Stedelijk Museum, Amsterdam, Netherlands
Rini Dippel, “Fundamental Painting”, Amsterdam: Stedelijk Museum, (exhibition leaflet)
Michael Desmond, Virtual Reality, “Richard Jackson”, National Gallery of Australia, pp. 44-45.
Peter Plagens, “Both Kinds: Contemporary Art from Los Angeles”, Berkeley: University Art Museum, University of California, Berkeley
1972
Los Angeles '72', exhibition catalog, Ed. Sidney Janis Gallery, New York, USA
John Baldessari/Francis Barth/Richard Jackson/Barbara Munger/Gary Stephan, (text) Jay Belloli, exhibition catalog, Ed. Contemporary Arts Museum, Houston, USA
15 Los Angeles Artists, (text) Barbara Haskell, Pasadena Art Museum, Pasadena, USA
1971
Photography into Sculpture, (text) Peter C. Bunnell, Arts in Virginia, Richmond: Virginia Museum of Arts, Richmond, USA
1969
Painting 1969, (text) William V. Howard, Reno: University of Nevada, Las Vegas, USA
Press
2013
Jori Finkel, « Richard Jackson wants to make you feel uncomfortable », in The Los Angeles Times, 15 February
n.s, « Where the ‘Pain’ Is », in The Wall Street Journal, 15 February
Sarah Lehrer-Graiwer, « Richard Jackson ain’t painting a pain », in ArtForum, vol. 15, no. 5, p.90, January
2012
Isabelle Bratschi, Le Matin Dimanche, “Art Basel voit toujours plus grand”, 10 juin
n.s., “PST: Richard Jackson makes a painting with a drone airplane crash”, Los Angeles Times, Janvier
Catherine Cochard, “Richard Jackson fait tout, tout seul”, Le Temps, pp. 14-16, 14 novembre 2012
2011
Jonathan Griffin, Frieze, “Richard Jackson, David Kordansky Gallery, Los Angeles”, n°143, November – December, p.133
2010
Isabelle de Wavrin et Laurène Flinois, Beaux-Arts Magazine, “La Fiac. Vu pour vous”, n°317, novembre, p. 91 (ill.) + cover
Dennis Szakacs, Mousse Magazine, « Richard Jackson : The Circus is in Town », n°25, september, pp. 10-15 (ill.)
2009
Mireille Sartore, Côte Paris, « L’art en technicolor », n°9, march, p. 46 (ill.)
Isabelle de Wavrin, « De 50 000 à 100 000 euros », Beaux-Arts Magazine, november, p. 90 (ill.)
Annual, « Richard Jackson, The War Room », 2008-2009, pp. 99-101 (ill.)
2008
Isabelle de Wavrin, Beaux Arts Magazine, « La Fiac à bras ouverts », n° 293, november, p. 61 (ill.)
Jérôme Buisson, Arts Magazine, « FIAC Nos coups de coeur », n°29, november, p. 43 (ill.)
Véronique Prat, Le Figaro Magazine, « Une Fiac qui ne manque pas d’art », 25 october (ill.)Serge Gleizes, AD, « Deux sculpteurs américains à connaître », n°78, october, pp. 110 ; 182 (ill.)
Judicaël Lavrador, Beaux Arts Magazine, “Quelle place pour la peinture aujourd’hui?”, march, n°285 (ill.), p. 62
Roxana Azimi, Le Monde, « Marché de l’art. Le prix de l’éphémère», 6-7 april (ill.)
Judicaël Lavrador, Les Inrockuptibles, « Deuxième Service », n° 644, 1 april, p.76.
2007
Valérie Duponchelle, Le Figaro, « Le Tour des galeries : Richard Jackson », Friday 22 June ,p. 30 (ill.)
Éric Mangion, Art Press, ‘La “Finition fétichisante” de la performance’, n°7, november-january, pp. 61-68 (ill.)
Ingolf Kern, Monopol Berlin, “Zbigniew Libera”, n°11, p. 31
Anna Semers Cocks, Il Sole 24, “Frieze slalom tra le tasse”, 6 october, p. 29 (ill.)
Vivian Rehberg, Modern Painters, “Paris, Richard Jackson”, october, p. 99 (ill.)
ns, www.3sat.de/kultureit, “10. Triennale Kleinplastik 2007”; 20 september
Ralf Christofori, www.tagesspiegel.de, “Immer auf die Grossen”, 5 august
Harry Bellet, Le Monde, “Richard Jackson”, 15 september 2007, p. 29
Thomas Wagner, FAZ, “Achtung Provinz!”, 4 août
Annette Hoffmann, www.regioartline.org, “Die Kleinplastik ist tot, es lebe die Skulptur”, 27 july
Jean-Max Colard, Les Inrockuptibles, “Chambre avec vue”, n°609-611, 31 july – 20 august, pp. 96-97 (ill.)
Judicaël Lavrabor, Beaux-Arts magazine, “Richard Jackson. Mr. Dynamite”, n°277, july, pp. 86-89 (ill.)
Hans-Dieter Fronz, Badische Zeitung, “Einlass für Dinos und Mäuse”, 13 july, p.11
Elfi Kreis, Kunstzeitung, “Den Kinderschuhen entwachsen”, n°130, june, (ill.)
ns, Monopol, “Kleinvieh macht auch Mist”, n°7
ns, Süddeutsche Zeitung, n°173
Petra Döfert, Kunstzeitung, “Befremdliche Objektewelt”, n°133, p.19
Adrienne Baun & Petra Bosetti, Art, “Entdeckungsreise statt Blockbuster”, n°7, p. 100
Sigrid Feeser, Kunstforum, “Bodycheck. 10. Triennale Kleinplastik Fellbach. Alte Kelter Fellbach”, 23 june – 23 july”, n°188, pp. 432-434
Alexandra Wendorf, Junge Kunst, “Bodycheck – Ein neuer Blick auf die Skulptur abseits der Grand Tour überzeugt die 10. Triennale Kleinplastik in Fellbach”, n°72, pp. 9-12
ns, Stern, “Bodycheck – Triennale der Kleinplastik”, n°22, p.174
Valérie Duponchelle, Le Figaro, “Richard Jackson”, 22 june
Les Inrockuptibles, “Richard Jackson”, n°603, 19 june, p. 76 (ill.)
Valérie de Maulmin, Connaissance des arts, n°650, june, p. 154 (ill.)
Léa Bismuth, www.paris-art.com, “Richard Jackson”, june (ill.)
Jürgen Raap, Kunstforum, “My castle is my castle. Künstlerische Wohnwelten”, march – april, pp. 71-85 (ill.)
Laura Allsop, Art Review, “On with the new: Yvon Lambert”, Issue 09, march, p. 34, (ill.)
Sarah Douglas, www.artinfo.com, “Armory Week : Lambert Has His Ducks In a Row”, 5 march
Tom Breidenbach, Artforum, “Richard Jackson”, XLV n°10, summer; pp. 498-499
Linda Yablonsky, www.artforum.com, “Gift Rap”, February
Isabelle de Wavrin, Beaux-Arts Magazine, “Carnaval à Miami”, n°272, February, p.115
2006
Hans-Dieter Fronz, Kunstforum, “Ballerina in a Whirpool”, december 2006 – january 2007, vol. 183, p. 357, (ill.)
Ish, NZZ, “Kreisen und Umkreisen”, 4 november, p. 50
Linda Norden, Richard Jackson, Paul McCarthy, Daniel Birnbaum, Artforum, “Contructed Reality”, vol. XLV, n°2, october, pp. 61, 62, 65, 66, 286, 288, (ill.)
dü, Badisches Tagblatt, “Ausstellung setzt Werke und Betrachter in Bewegung”, 2 october, p. 1
ns, Badisches Tagblatt, “Hauser & Wirth Collection in Baden-Baden”, 30 september, p. 1
Christiane Lenhardt, Badisches Tagblatt, “Spielerisch die Welt umkreisen und erklären”, 30 september, p. 1 (ill.)
Carmela Thiele, Badische Neueste Nachrichten, “Wanderung in die Tiefe”, 30 september, p. 1 (ill.)
ns, Badische Neueste Nachrichten, “Die Zeit Wird bei 1000 Uhren zur physischen Erfahrung”, 28 september, p. 1 (ill.)
ns, Informationsdienst Kunst, “Neues aus Museen und Kunsthallen”,n°360, 14 september, p. 6
ns, www.artnews.info, “Richard Jackson. Works from the Friedrich Christian Flick Collection at the Hamburger Bahnhof”, 7 August (ill.)
ns, http://berlin.art49.com, “Von Carlo Andre bis Bruce Nauman”, 4 august (ill.)
Belinda Grace Gardner, www.artnet.de, “Leinwand von innen”, 31 july (ill.)
Gabriela Walde, www.diewelt.de, “Chance verpasst; Richard Jackson in Berlin”, 14 july
Elfi Kreis, Kunstzeitung, “Berlin: Richard Jackson im Hamburger Bahnof”, n°119, july, p. 9
Brigitte Werneburg, www.taz.de, “Rad schlagende Farbräusche”, 7 july
ns, http://radio.weblogs.com, “Richard Jackson im Hamburger Bahnhof”, 25 may (ill.)
Pilar Viladas, The New York Times Style Magazine, “Design is the new art”, Autumn
ns, www.berlinonline.de, “Ausstellung: Wenn die Pinsel ruhen und die Farbe lauern”, 24 may
Markus Wirthmann, www.Kunst-Blog.com, “Ötzi im Flick-Gletscher entdeckt”, 24 may
Marina Faust, Frog, “Los Angeles 1955 – 1985”, spring/summer, n°3, p. 183
ns, www.artfacts.net, “Richard Jackson”, 24 may
Simone Reber, www.daskulturradio.net, “Hamburger Bahnhof: Richard Jackson”, 23 may
Gabriela Walde, www.morgenpost.de, “Wenn Wände fröhlich Farbe spuken”, 19 may
2005
Stefan Bidner, Thomas Feuerstein, Revolver, “Plus ultra. Jenseits der Moderne? / Beyond Modernity?”, Frankfurt, pp. 37-45, (ill.)
Christophe Kihm, Art Press, “Richard Jackson, la pensée et l'accident”, n° 318, december, pp. 36-41 (ill.)
Judicaël Lavrador, Les Inrockuptibles, “5 temps forts”, numéro spécial 524-525, december, p. 94, (ill.)
Sandra Danicke, Frankfurter Rundschau, “Die Farben der Hirsche”, 22 november, p. 17
Gundel-Maria Busse, Main-Echo, “Etwas sehr Einfaches”, 16 november
Christoph Schütte, Frankfurter Allgemeine Zeitung, “Pollock mit Jagdschein”, 9 november, p. 52 (ill.)
Valérie Duponchelle, Béatrice de Rochebouët, Le Figaro, “À la conquête du contemporain”, 7 october, p. 34 (ill.)
R.A., Le Monde, “Les turbulents californiens ne font plus peur”, 2-3 october, (ill.)
Raphaël Rubinstein, Art in America, “In a liquid medium”, n°8, september, pp.132-137
Roxana Azimi, L’Oeil, “Californie: des affreux jojos aux radicaux”, n°571, july – august, pp. 108-111 (ill.)
Martin Coomer, Time Out, “Richard Jackson”, n°1821, 13-20 july, p. 65 (ill.)
ns, FX Magazine, “The Pink Empire: Richard Jackson”, 1er july, p. 9 (ill.)
Art Press, “Exporama: Burlesques contemporains”, july-august, pp. 8-12
Christine Sourgins, L’Humanité, “Dionysos contre Dionysiac”, 28 june
Maria Becker, Bazartmagazin, “Unterhaltsam hybrid, wohnzimmertauglich”, 18 june, p. 6 (ill.)
ns, Durrants, “American Art Maverick unveils latest work”, 3 june, p. 5 (ill.)
Fabian Stech, Kunstforum, “Sex and drugs and rock’n roll”, june-august
ns, Art Review, “Bear necessities”, vol. LVI, june, p. 23, (ill.)
Patrice Blouin, Beaux Arts Magazine, “Burlesque et idiotie, frères amis”, June, pp. 71-90 (ill.)
LD, Modern Painters, “Dionysiac”, june, pp. 112-113
De Witteraaf, “Dionysiac”, may-june
Michel Gauthier, Art Press, “Dionysiac”, may, pp. 78-79 (ill.)
Point de vue, “Scandale avec Dionysiac”, 12 april
Charles Danby, Art Review, “Dionysiac”, april
Flavia Fossa Marguti, Glamour.com, “dov'è finita l'emozione”, april (ill.)
Charles Barachon, Technikart, “Dieu taureau”, april
Thomas Schlesser, Art 21, “Dionysiac”, n°02, march – april
Michael Glover, The Times, “Anarchy rules at the Pompidou in a celebration of Dionysus”, 30 march, pp.16-18
Aurélie Champagne, Zurban, “Bachique alors”, 23 march, p. 41 (ill.)
Catherine, Charlie Hebdo, “Les expositions de la semaine”, 9 march, p. 12 (ill.)
A nous Paris, “Tristes Bacchanales”, 21 march
Robert Guinot, La Montagne, “Dionysiac à Beaubourg”, 13 march
Muriel Denet, www.paris-art.com, “Dionysiac”, 4 march
Max Henry, www.artnet.com, “Dionysus in Paris”, march (ill.)
Judicaël Lavrador, Les Inrockuptibles, “Californicréation”, n°485, 23 february – 1st march, pp. 82-83 (ill.)
Hervé Gauville, Libération, “Dionysiac sans plaisir”, 26 – 27 february
De Standard, “Pornografie, Kunst und Mythos”, 22 february
N.T., La Tribune, “L’esthétique de l’excès”, 21 february
Harry Bellet et Benjamin Roure, Le Monde, “Les vedettes de l’art trash au Centre Pompidou”, 20 – 21 february, p. 18 (ill.)
Geneviève Breerette, Le Monde, “Des figures de l’excès, plus désagréables que dérangeantes”, 20-21 february p. 18
Jens E. Sennewald, www.diepresse.com, “Nietzsche mit Luftgitarre”, 17 february
ns, http://actu.voila.fr, “Quatorze artistes ‘dionysiaques’ et Gina Pane au Centre Pompidou”, 17 february
Stefan Zweifel, Die Weltwoche, “Ja, die haben ihr Glück erfunden”, n°8, 24 february, pp. 77-79
Nicole Duault, Le Journal du dimanche, “Rires, sexe, déjections et congélation”, 13 february, p. 41
Philippe Piguet, L’œil, “Dionysiac, dans le flux de la vie”, 1er february, p. 21
Nicolas Thély, Enville, “Dream Team Déchaînée”, n°4, february
Ken Johnson, The New York Times, “The Three Bears” 7 january
2004
Wladimir Bergez, Art Presence, “Richard Jackson”, n°52, october – december, pp. 3-11 (ill.)
Christophe Kihm, Art Press, “Richard Jackson”, june, pp. 79-80 (ill.)
Charlotte Laubard, 02, “Qui a peur de Richard Jackson?”, n°29, spring, pp. 10-11 (ill.)
Judicaël Lavrador, Les Inrockuptibles, “Splash”, april, p. 73
Marguerite Pilven, www.paris-art.com, “Richard Jackson, Unusual Behaviour”, april
Judicaël Lavrador, Les Inrockuptibles, “Paintball”, n°433, 17 au 23 mars, p.105 (ill.)
Vivian Rehberg, ArtForum, “Richard Jackson”, march
2003
Dieter Buchhart, Kunstforum International, “Richard Jackson. Ich bin ein Kunstterrorist”, june – july, pp. 216-229 (ill.)
Anna Schindler, Kunstzeitung, Regensburg, “Fliegende Malmaschine”, n°81, may, p. 20 (ill.)
Jörg Schwerzmann, Bolero, “Farbige Bruchlandung”, may, p. 48 (ill.)
Anna Schindler, Kunstzeitung, “Fliegende Malmaschine”, n°81, may, p. 20 (ill.)
Jeffrey Hughes, Sculpture, “Vienna. Richard Jackson. Bawag Foundation”, Washington, vol. 22, n°4, may, pp. 83–84 (ill.)
Sabine Arlitt, Züritipp, “Malerei unter Schock”, 17 april, p. 48 (ill.)
Karlheinz Schmied, Informationsdienst Kunst, n°273, “Neues aus den Galerien”, n°273,20 march, p. 20
2002
Christine Frei, Tip, “Plus Ultra. Eine Philosophisch und Künstlerisch anregende Ausstellung im Kunstraum”, 13 december, p. 29
Helga Reichhart, Dolomiten, “Mit Vollgas durch die Wand”, 10 december
Helga Reichhart, Salzburger Nachrichten, “Mit Vollgas durch die Wand und weiter”, 5 december
Innsider, “Plus Ultra”, December (ill.)
Tiroler Tageszeitung, “Plus Ultra' im Kunstraum”, 20 November (ill.)
Julia Wallnöfer, artmagazine.cc, “Das Nonplusultra der Kunst”, 4 november
Linth Zeitung, “Sommerzeit ade!”, 26 october, p. 36 (ill.)
Die Südostschweiz, “Eine Stunde länger schlafen”, 26 October, p. 32 (ill.)
Isolde Zwerger, Kurier, “Aufbrechen in ein neues Universum”, 11 October (ill.)
E. Schlocker, Tiroler Tageszeitung, “Ironische Grenzüberschreitungen”, vol. 58, n°237-IA, 11 october, p. 15 (ill.)
Moni Brüggeler, Kronenzeitung, “Die Zeichen der Zeit”, 11 october, p. 32 (ill.)
Moni Brüggeler, Kronenzeitung, “Motorisierte Kunst”, 8 october, p. 24 (ill.)
econova, “Plus Ultra”, october, p. 143
Die Presse, “Plastikbären tanzen kaum”, 6 august (ill.)
Die Presse, “Bärenjagd”, 17 juin/ 1 juillet/ 30 august (ill.)
Brigitte Borchhardt-Bibaumer, Wiener Zeitung, “Der anarchistische Bildjäger”, 12 june (ill.)
Wiener Bezirksblatt, “Die Bier-Bären”, 10 june (ill.)
Göd, “Kein Zweifel an der Arbeit – Richard Jackson”, june (ill.)
Ilse Chlan, Pharma-Time, “Richard Jackson : Kunst ist etwas sehr Einfaches”, june (ill.)
Vernissage, “Bank Job – Die BAWAG Foundation, 1010 Wien (…) Richard Jackson”, june, pp. 16-19 (ill.)
Kunst Bulletin, “The House of Fiction‘ in der Lokremise”, n°6, june, p. 71 (ill.)
Diskurs, “Richard Jackson in der BAWAG Foundation”, may – june, pp. 39 – 41 (ill.)
FSG – Direkt, “Malende Maschinen”, 28 may (ill.)
Nicole Scheyerer, Falter, “Richard Jackson”, n°20, may
Isabella Marboe, Die Furche, “Bärig, witzig – Richard Jackson, Bank Job in der BAWAG-Foundation”, 16 may (ill.)
Rainer Metzger, Art Magazine, “Plumeau bis Plafond”, 15 may (ill.)
Erwin Melchart, Neue Kronen Zeitung, “Der Bär ist los!”, 11 may (ill.)
Johanna Hofleitner, Die Presse / Schaufenster, “Summer in the cities”, 10 may, pp. 32–37 (ill.)
Almuth Spiegler, Die Presse, “Bären spritzen Farbe und wollen ins Bett gejagt werden”, 8 may (ill.)
Henriette Horny, Kurier, “Kunst ist nie wirklich fertig”, 8 may (ill.).
Markus Mittringer, Der Standard, “Lernen, allein zu leben”, 8 may (ill.)
Der Standard, “Abstrakter Expressionismus – Werke des amerikanischen Konzeptkünstlers Richard Jackson in der BAWAG Foundation”, 7 may
Die Universität, “Richard Jackson – Bank Job”, 7 may
Kultur/ORF, “BAWAG Foundation : Richard Jackson”, 7 may
Anzeiger von Uster, “The House of Fiction”, 6 may, p. 21
www.magazine.orf.at/treff.kultur, “Kunst/Werk des Monats Mai. Richard Jackson und seine skulptur Two Heads”, 4 may (ill.)
Wiener Zeitung, “Der Prozess vor dem Objekt”, 2 may (ill.)
Vernissage, “Richard Jackson”, may
Matthias Dusini, Falter, “Bär im Öl”, n°21, may, p. 60 (ill.)
metropol, “Kunst feiert Kunst. Hauser & Wirth eröffnet Jubiläumsaustellung”, 18 january (ill.)
2000
Karlheinz Schmid, Kunstzeitung, “Rhein – und Rausland. Einkaufsparadies Art Cologne”, n°52, december, p. 6 (ill.)
Dorothea Baumer, Süddeutsche Zeitung, “Köln ist ein guter, ein idealer Platz. Die 34. Art Cologne: Ein breites, animierendes Spektrum der Stile und Medien”, vol. 56, n°255, 6 november, p. 21 (ill.)
Philipp Meier, NZZ, “Der leise Seufzer. Die Art Cologne – Deutschlands führende Modernemesse”, n°264, 11 november, p. 67
Nicola Kuhn, Der Tagesspiegel, “Ode Cologne”, n°17 225, 7 november, p. 1
Egbert Tholl, “Der Mensch und seine Maschine – Richard Jackson”
Süddeutsche Zeitung, Malperformance “De Nada/Circle Jerk”', 30 may
Petra Steinberger, Süddeutsche Zeitung, “Krieg den Palästen, Friede den Surfern Visionen einer stadt, die keine ist: Die Ausstellung “L.A.-ex in der Villa Stuck in München”, n°87, 13 april, p. 17
1999
Amine Haase, Kunstforum International, “48. Biennale von Venedig. Versöhnung der Gegensätze”, vol. 147, September – November, pp. 150-160 (ill.)
Wolfgang Träger, Kunstforum International, “Biennale Venedig: dAPERTutto, vol. 147, September – November, pp. 174-266 (ill.)
Heinz Peter Schwerfel, Art, “Biennale 99. Grosse Oper”, n°8, august, pp. 12-23 (ill.)
1998
k.k., NZZ, “Eruption und Planung”, 12 december
S.St., Schweizer Illustrierte, “Richard Jackson bläst zur Hirschjagd”, 7 december (ill.)
Gerhard Mack, Kunst-Bulletin, “Richard Jackson in der Galerie Hauser & Wirth 1”, no° 12, december, p. 43 (ill.)
Jörg Bader, Frankfurter Allgemeine, “Zürcher Geschnetzeltes. Rockenschaub und Jackson bei Hauser & Wirth im Löwenbräu‘', 28 November, p. 42
Handelszeitung, “Galerie Hauser & Wirth, Zurich”, 11 november
Gerhard Mack, Cash, “Vorsicht! Künstler schiesst mit Farbe”, n°44, 30 october (ill.)
Simon Maurer, Züritip, “Künstler und Jäger”, 30 october, p. 67 (ill.)
Alfred Thum, Riviera-Côte d'Azur Zeitung, “Art Jonction 1998 in Nizza”, n°5, may, p. 4 (ill.)
Henri Louvel, Art Jonction Le Journal, “Art Jonction 98, une grande année pour un Grand Cru niçois”, n°12, spring, pp. 1,3 (ill.)
1997
Tom McDonough, Art in America, “Richard Jackson at David Zwirner”, n°12, December, pp. 89-90 (ill.)
Grady Turner, Flash Art, “Richard Jackson – David Zwirner”, vol. 30, n°197, november – december, p. 112 (ill.)
Sarah McFadden, Art in America, “The 'Other' Biennial”, vol. 85, november, pp. 84-91
Christopher Blase, Artforum, “L'Autre”, 4ème Biennale d'art contemporain de Lyon”, vol. 36, n°2, october, pp. 94-95 (ill)
Ken Johnson, The New York Times, “Richard Jackson”, 19 september, p. B34
Xavier Douroux, Yves Aupetitallot, Art Press, “À propos de Harald Szeemann tentative d'épuisement de l'autre”, n°226, july-august, pp. 26-29 (ill.)
Cecilia Liveriero Lavelli, Franklin Sirmans, Flash Art, “Harald Szeemann”, vol. 30, n°195, Summer, p. 89
1996
Gudrun Spielvogel, Art Press, n°17, p. 69 (ill.)
ns, Art Press, n°17, p. 69 (ill.)
1992
Brigitte March, “Force Sight”, Neuenstadt-Stein am Kocher: Internationale Kunst der Gegenwart Schloss Presteneck, éd: Catherine Gudis, (ill.)
Susan Kandel, Arts Magazine, “L.A. in Review”, n°66, april, pp. 98-99
Sidney Perkowitz, The Sciences, “Heat Wave”, n°32, march – april, pp. 34-35
Yves Michel Bernard, “Force Sight”, Stuttgart : Brigitte March
Christopher Knight, Los Angeles Times, “An Art of Darkness at MoCA”, 28 january, pp. F1, 4-5
Suzanne Muchnic, Los Angeles Times, “Art in the City of Angels and Demons”, 26 january, pp. 4-5, 76, 78
1991
Colin Gardner, Artforum, “Richard Jackson”, vol. 29, n°6, february, pp. 134-135
1990
Pierre Picot, “Art in Los Angeles, Blindfaith 1990-1991”, p. 6 (ill.)
Christine McKenna, Los Angeles Times, “Richard Jackson: Conceptual and Uncollectible”, 27 november, p. F8
1989
Petsch Marti, Glarner Nachrichten, “Das Bild als Bild in Frage gestellt”, 25 april
Pontus Hulten, Glarner Nachrichten, “Installationen und Bilder von Richard Jackson”, 20 april, p. 3
David Pagel, Artweek, “The Present as Future History”, 7 january
Susan Chadwick, The Houston Post, “Critics Choice”, 6 january, p. E2
1988
John Coplans, Los Angeles Municipal Art Gallery “One of a Kind : Contemporary Serial Imagery”, Los Angeles
Gottfried Boehm, “Critique of the Picture. Richard Jackson”, (éd.) Rolf Schroeter
Cathy Curtis, Los Angeles Times, “Assessing the Current Vitality of Repetition”, 30 december, pp. 22, 26 (Part VI)
Patricia C. Johnson, Houston Chronicle, “Jackson's Menil exhibit : Art to be experienced”, 24 july, pp. 1, 16-17
Gregorio Salazar, Public News, “Richard Jackson's Museum of the Mind”, 20 july, p. 12
Susan Chadwick, The Houston Post, “For Richard Jackson, the Point is Painting”, 17 july, p. 4F
1987
Victoria Dalkey, The Sacramento Bee, “Ruminations upon a year of ironies”, 27 december, pp. 12-13
Victoria Dalkey, The Sacramento Bee, “Major and minor scales – sizing up two exhibits that push at the boundaries of modern art”, 15 november, pp. 8-9
Michael Kohn, “Point of View. Artworks from the Collection of Jeffrey Kerns”, San Bernadino : University Art Gallery, California State University, 1986
1985
Christopher Knight, Artpark, “1985 Artpark Visual Arts Program”, (ill.)
Jeffrey Browning, Arts + Architecture, “An Architecture of Paint”, vol. 3, n°4, pp. 44-49 (ill.)
Anthony Bannon, The Buffalo News, “Artpark's assertive new installations”,19 july
John Bentley Mays, Toronto Globe and Mail, “Worthwhile Artpark exhibit shows sculpture's in a rut”, 17 july
George Sax, The Buffalo News, “In Addition is an Amusing Tie-In to Artpark but Leaves Loose Ends”, 9 july
1984
ns, “Art as Healer”, Weintraub Hunter Gallery, Sacramento, USA
Suzanne Muchnic, Los Angeles Times, “The Galleries, La Cienega Area”, 9 november, p. 10 (Part VI)
Suzanne Muchnic, Los Angeles Times, “Jackson Sculpture : Insights from Inside”, 3 november, pp. 1,6 (Part IV)
Hunter Drohojowska, Los Angeles Herald-Examiner, “He's the master of the painting-event”, 17 august, p. 34 (ill.)
Hunter Drohojowska, L.A. Weekly, “Richard Jackson at the Rosamund Felsen Gallery”, 2-9 august, p. 51
Robert L. Pincus, Los Angeles Times, 27 july, p. 10 (Part VI)
1983
Mark Van Proyen, Artweek, “Grand Gesture”, 2 july, p. 4
Thomas Albright, San Francisco Chronicle, “How an Artist Stacks Up These Days”, 14 june, p. 42
1982
Suzanne Muchnic, Los Angeles Times, “Drawings by California Painters”, 16 february, pp. 1-2 (Part VI)
Peter Plagens, Art in America, “Site Wars”, vol. 70, n°1, january, pp. 91-98 (ill.)
1981
Melinda Wortz, ARTnews, “Art in Los Angeles: 17 Projects – 16 Projects”, n°80, november, pp. 161-165
William Wilson, Los Angeles Times, “A Museum Where Art is a Site to Behold”, 26 july, pp. 1, 92
Christopher Knight, Los Angeles Herald Examiner, “Site seeing at the county museum”, 26 july
Joie Davidow, LA Weekly, “Pick of the Week”, 24 – 30 july
Peter Schjeldahl, The Village Voice, “L.A. Demystified!”, 3 – 9 june, pp. 32-37
Gertrude Grace Still, Portfolio, “The Reversed Canvas”, n°3, january – february, pp. 48-51 (ill.)
1980
Pamela Hammond, Images and Issues, Contemporary Art Survey 80, “1,000 Pictures Richard Jackson at Rosamund Felsen”, winter 1980 – 1981, p. 45 (ill.)
Michael Blaine, Artweek, “Painting by Construction”, 27 september, pp.1-2
Christopher Knight, Los Angeles Herald-Examiner, “The Great Wall of La Cienega”, 18 september, (ill.)
Gregorio Salazar, Public News, “Richard Jackson's Museum of the Mind”, 20 july, p. 12 (ill.)
1979
Jack Burnham, The New Art Examiner, “Painting Up Against the Wall”, may, p. 4
Hilton Kramer, The New York Times, “Art View : Temporary Art in the Museum”, 8 april
1978
Barbara Noah, Art in America, “Richard Jackson at Rosamund Felsen”, november – december
Peter Schjedahl, Artforum, november
Suzanne Muchnic, Artweek, “Painting with Painting”, 9 september, pp. 1, 20
1977
Louise Lewis, Artweek, “Richard Jackson's Painting – Unexpected Echoes of Art History”, 22 october, p. 7
1976
Judith L. Dunham, Artweek, “Evidence of Process – Richard Jackson – Chris Darton”, 27 november, pp. 1, 16
1975
Judith L. Dunham, Artweek, “Both Kinds : Contemporary L.A. Art”, 3 may, pp. 1, 20
1974
Melinda Wortz, Artweek, “Richard Jackson Installation”, 1er june, pp. 15-16
1973
R. Mayer, Arts Magazine, “New York, Bykert Gallery”, march, pp. 72-73
1972
R. Matthias, Arts Magazine, “Los Angeles '72, 'Sidney Janis Gallery, N.Y.”, september – october, p. 58
1971
Rosalind E. Krauss, Artforum, “Washington”, may, pp. 83-84
V.H. Drath, Art International, “The 32nd Corcoran Biennial, Art as a Visual Event”, may, p. 43.
Dorothy Miller, Arts Magazine, “Washington”, april, p. 77
Joanna Eagle, The Art Gallery Magazine, “The Corcoran Biennial : Hopps Skips and Jumps”, vol. XIV, n°6, march, pp. 36-40 (ill. + cover)
Peter Plagens, Artforum, “Los Angeles : Richard Jackson, Charles Garabedian, Eugenia Butler Gallery”, january, pp. 90-91
1970
Melinda Terbell, Arts Magazine, “Eugenia Butler Gallery, Los Angeles”, december 1970 – January 1971, p. 49
Willoughby Sharp, Arts Magazine, “Outsiders : Baldessari, Jackson, O'Shea, Ruppersberg: Outdoor Sculpture Projects”, summer, p. 45